YouTube Compilation on YouTube

1 10 2009

3 Minutes, 24 Seconds of Footage Which You Will Thoroughly Enjoy and Which Represent the 1642 Hours, 54 Minutes, 18 Seconds Your Employer Will Never Get Back

I almost didn’t post on this, but then yesterday the band Hadouken, who recently uploaded a video of 100 viral clip excerpts meticulously arranged to their single “M.A.D”, added a source list to the YouTube page and suddenly I kinda wanted to again.

I wasn’t being a smart-ass when I described the arrangement of these clips as “meticulous”. The groupings are thoughtful but unpredictable, the editing is unsloppy and the synchronization is disciplined without being regimented or robotic. I liked how sometimes the juxtapositions were about escalation, while other times they were about contrast. And the whole thing’s executed without any of the pretense of Weezer’s “Pork and Beans” video (or Weezer’s subsequent let’s-milk-this remix video). So no, it hasn’t been done.

Metatube.

L: direct reference (Jack cues “Sneezing Panda” for Liz). R: indirect reference (George-Michael’s purloined video parallels “star wars kid” clip).

Any time you see the word “greatest” next to the word “hits”, the words “not an exact science” are understood; still, because people are idiots, the comments section for this video is chock-full of complaints about clip originals with unacceptably low view counts, supposed glaring omissions, and similar criticisms. So, in the prevailing spirit of reader-response, here are my uninvited opinions:

  1. I would have left out “leave britney spears alone”, but if you were one of the zero people thinking about Chris Crocker then perhaps you appreciated its inclusion.
  2. I’m not sure I would have included the Ok Go treadmill thing—should official music videos “count”?
  3. If you posted a video like “charlie bit my finger” or “Bizkit the Sleepwalking Running Dog” on somebody’s wall more recently than your mom did, it means she’s cooler than you.

In case you care, or are bored and crave links, I should add that this montage did include a few of my personal favorites. And just enough time had passed for me not to be enraged by the inclusion of Kelly footage (I still can’t watch the “Shoes” video one more time, lest I be reminded of those unfortunate 18 months during which every other word out of the mouth of every fag hag on the planet was “betch”, but I am always up for watching the cameo-laden “Let Me Borrow That Top”).

a case of beer

Sean

a quesadilla

Paul

[audible laughter] Yeah, this is real life.

David

Don’t front: for the last four years, your IRL memories—like mine—have had to share brain space with the very real, very memorable, and very documented stuff of strangers. This is the mystery of profitable (if inappropriately-applied) technology. We wear our cell phones on our ears, not our wrists, and we don’t have affordable Moon vacations or a cure for cancer. Instead we have a taggable, flaggable benevolent clip monarchy, which is something no one could have predicted. Brilliant. I’ll take YouTube over a hoverboard any goddamned day of the week.






Cornandbeans Is the New Dieselboy

3 07 2009

This Thing is Better Than the Grooveduds Remix, the UNKLE Remix and the Moby Remix Combined

If you don’t like drum N bass, stop reading. If you do, check this out because I am totally feeling it:

Bittersweet Symphony VIP Remix

Ian Slider (a.k.a. cornandbeans, a.k.a. Shelter) has uploads on his Newgrounds page going back to 2006, which means he’s been mixing since he was, like, sixteen or seventeen. So, yeah. Color me impressed.

“Bittersweet Symphony” will always remind me not of the music video, with its Steadicammed long takes, but rather of the last reel of 1999’s Cruel Intentions (a lot of Britpop on that soundtrack).

What is going on?! Don’t you people have any respect?!

When the Verve track’s buildup culminates with Sarah Michelle Gellar’s character bursting out of the church doors only to come to a stunned halt that the camera can pan around? Totally awesome.