Begin Countdown to “Battle: Los Angeles”

18 02 2010

Next Alien Film By A South African Director Scheduled to Premiere in Exactly One Year

The alien invasion film Battle: Los Angeles (nice colon) is scheduled to hit theaters on 17 February 2011. Which doesn’t even sound like a real year. Regardless, ima be following this like a gay dude on Gαgα. Directed by Johnathan Liebesman, it’s being pitched alternately as “a West Coast Cloverfield“, “Black Hawk Down meets Alien”, or “Black Hawk Down meets Independence Day”. Your blogger meets anticipation.

Here’s something weird: a lot of it was shot in Shreveport, Louisiana, because it was cheaper. I mean, I get that a lot of films get shot in, like South Carolina, or whatnot, for that very reason. But I still think it’s weird when a film that takes place in the world capital of the film industry (well, technically Santa Monica) is filmed elsewhere. The NYT thought it was weird, too. So get bent.

It wasn’t just about the money, though. No, seriously. The script called for some significant action sequences on California’s I-405, and of course shooting practical effects on that major artery was never going to happen. Shutting down a section of Louisiana’s I-49 for three weeks, though, was doable. And so they did. Here are a couple of freeway interchange pics I lifted from movie-trailer.com:

Interstate 49 = Interstate 405

Palm trees means it’s LA. They’re idiobotanical cues.

These are the kind of pics that get me all hot-and-bothered. By the time I actually see this bitch I’ll have these images so burnt into my skull that, unless the entire scene’s been cut, I’ll be able to recognize bits and pieces of scenery from a single shot—even an insert shot—like some sort of fanboy idiot savant.  But as cool as these freeway shots are (and there are several more out there), I can trump them. Or, rather, some Shreveport townie on YouTube can:

How awesome is that dude with the camera. And how awesome is the fact that the movie crew members who are blithely enjoying another one of my dream careers were taking their sweet time removing all of the set dressing. I screen-capped a couple of the set pieces that I expect might be recognizable in the final product, even if shot at night, out-of-focus and a block away:

Make it easy with product placement.

Do you reckon this storefront was actually a parking lot?

If this kinda thing isn’t your kinda thing, then stay away from this blog for the next twelve months. You were warned.

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