In the Summer, In the Spring; In Public Places

23 09 2009

On An Island Far Away, Lemonade with My Co Co Co

Coco Before Chanel is Coco before Chanel. This movie is enjoyable. It was a little too long, even by biopic standards, but it’s nice to look at so I didn’t really mind. As a period piece, Coco Before Chanel called for some pretty odd set dressing (e.g., fin de siècle rural French orphanage). I guess my point in mentioning this is that somebody did a really nice job with the details, because I believed every frame. And here’s the skinny on the plot: Coco Chanel is depicted as extremely hardened, pragmatic and self-reliant—which is what the viewer expects, given the implied pattern of abandonment to which she is subjected. Of course, then, the introduction and inevitable removal of a tragic “one true love”  makes for great cinema. Millinery improvisation and melodramatic scissor-snipping are kept to a tolerable minimum.

Even though this film’s not about Chanel the brand, it does end with an amazing coda, or whatever, which involves a parade of models and which is probably flawless in composition. In fact, I hope this part ends up on YouTube, because I want to watch it, like, a hundred times in a row.

Okay, good enough. Now comes the fun part:

Fruits Basket-esque

Chanel overload (photograph by Sebastian Kim, Interview, 2009; obviously, this shitty scan detail doesn’t do it justice—click here for full image)

Eyeing C Chart

Iconic sans-serif C as “piercings”  in eye chart (Symbol Soup, 1999)

Untrust me.

Chanel logo as band logo (allows for endless official and fan-art variations).

I didn't need to change the font--it was eerily identical.

A little something I freaked last year.


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