CGI More Polished in 2012 Japanese Trailer

28 08 2009

Trailer Contains Morsels Not Featured in Teaser Trailer, Feature Trailer or International Trailer

The Japanese trailer for 2012 just dropped. I think eager YouTube viewer “2001wazevedo” puts it best:

absolutamente

The SFX are inferior to previous trailer versions, but that’s a small price to pay for a 2012 trailer largely unburdened by melodramatic Carmina Burana-like warblings.

2012 new obelisk shot

Here’s an angle we hadn’t seen yet; note St. Peter’s obelisk going down in courtyard.

You can tell they’re still in post on this thing; for example, in the Japanese trailer, the layer timing is totally different for that already-iconic shot of the plane zooming away as California’s tectonic plate crumbs slide into the sea (somebody likes Titanic).

2012 new plate drop plane swoop

New carnage shot. I can’t get enough of those oscillating palm trees.

Speaking of which, I think that all the gaping-wounds-in-the-surface-of-the-earth stuff is going to be the hardest sell here. Somebody should tell the CGI team that cracks, crags and crevasses don’t look the way they think we think they look. At all. It’s tons of rock and earth, dudes. It’s not an eggshell. That supermarket sequence they keep showing us, where the wall and ceiling open up in a clean, amusement park-ride gash, looks particularly Humpty Dumpty ridiculous. I mean, I get that there’s no precedent to work from, no reference shots. But if you’ve ever seen the cartoonish and piss-poor ice shelf CGI work in The Day After Tomorrow, then you know that whoever’s signing off on this stuff has the sensibilities of a preschooler—which does not bode well. However, from what I can glean on IMDb, it looks like Digital Domain worked with different partners for 2012 (I may be misinterpreting the listings; I don’t know the first thing about this stuff). So who knows. I just hope they don’t harsh my mellow when they marsh California’s mallow.

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